Whenever you are mixing and recording audio it’s a fantastic idea to have a vision before you start, whether it is acoustic music or music. This means having a clear idea of how you want the music you are mixing to audio. And instead of creating a mixture where all components are loud or all components are competing for your listener’s focus, there are a couple of things you can do in order to make the combination more pleasing to the ear, complimentary of these components there and maybe three dimensional.

It is worth considering how you would like the product to seem Whenever you’re starting out in the recording procedure. Are you currently looking for a live performance feel to the recording or some more innovative music studio version of a piece of music. Some artists really sound better live and it may be better to catch a band’s live performance power to result in their best recording. If you’re currently aiming more to get a live feel to the recording then a couple of microphones placed optimally at a room area can be sufficient to capture an artist or band’s magic. And allowing some space between the microphones can produce a depth of field. You’re able to keep the microphone closer to better its central role, in case you’ve got a lead instrument or vocal then.

For music blending techniques that are innovative, you can employ pan configurations and delays in amounts.

Limit the amounts of reverb for section or each part of this musical composition, and also the closer you need something to appear, the less reverb and wait it will require. When placing sounds in mid the foreground or background diffusion settings and decay times can make a difference. A short stereo delay (approximately ten to fifteen minutes ) can give a bit more prominence at a mix without it dominating. When he had been recording pop group The Police in the 80’s apparently Trevor Horn used this technique a lot with Sting’s vocals. Try to use modern equipment, like a dj mixing tech or a good dj laptop ( https://www.team9.net/dj/best-equipment/laptops-for-djing/ ) to be employed.

Volume levels can increase form and thickness into a mix. Again, know about the focal areas of the mix – perhaps the outspoken or an instrumental melody line – and – experiment and play with the other parts so that they match and support that central part rather than competing with it or even distracting the listener from what is important in the mix.

I’ve just touched on some techniques which can add a mixture and shape and depth. Try them out and you may find an enlarged and more mix for a outcome. With much more experimental and electronic music, it is worth taking the time to explore and experiment. And you will find that less is more and going for a more live feel may make for the very best studio recording.